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Origin: Reyhanli
Mediterranean Anatolia
Woven: c. 1870
Size: 3.85 x 1.48m 12'7" x 4'9"
Ref: 400DH002
Price Euros 2990
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Weaving has ceased in the area of Reyhanli, which is
quite close to the current Turkish border with Syria, since the early part of
the twentieth century, and few good examples remain. The quality of the remaining
pieces available however is extremely high. It is thought that this was due
to the influence of Caucasian weavers who settled there in the middle of the
nineteenth century and used tightly spun wool of a lustrous silky texture combined
with a very fine weave. This was unusual for Anatolian kilims at the time. Most
Reyhanli designs are composed of large central medallions in a dark palette
of reds, blues and greens with sometimes some contrasting white cotton for field
separation. Mostly woven in two halves, the elongated hexagonal or diamond shaped
medallions are often surrounded by multiple borders generally including some
kind of stylized 'leaf and vine' motif. The border on this particular example
however is entirely composed of stylized 'elibelinde', or 'hands on hips' motifs
thought to be symbols of motherhood and fertility. Surrounding the three diamond
medallions in the centre are repeating rows of 'monsters feet' or 'canavar ayagi'
which is the local name for the motif which symbolizes the dragon or 'edjer'.
The dragon is the strongest fertility symbol used in kilim weaving. The three
medallions contain a repeated double-headed arrow shape often found on Anatolian
kilims. This is thought to symbolize the continuity of family union, the devotion
of lovers and the hope that they stay together. Like many of the older kilims
which have survived in such good condition, it is likely that this piece was
also a dowry piece for a forthcoming marriage, was woven with care, and no doubt
stored as a family heirloom for a period of time after the marriage. Although
showing some repair, the design and colours are excellent and this kilim remains
a superb example of Reyhanli weaving.
loft kilims